Language alone remains abstract without reference to a 3d simulator to interpret meaning. The simulator must be able to model space and time (form and behavior). And it must be able to polarize or collapse that simulation down to an observer and observed perspective. The level of conscious experience.

- Diagram showing how muscle and sensory patterns must be the foundational elements to any 3d simulation matrix.

Muscles connect electrical patterns within the brain into space time events within reality that our touch senses can witness. They create a 'cause and effect loop' which is filtered by external reality. These filtered patterns become the core vocabulary components for a 3d translation matrix that allow a growing catalog of objects and behaviors to be mapped by the brain. 2d patterns only make sense when they are associated with higher level causes (in our case, a 3d reality). The mind is constantly 'looking' for those 'hidden' causes, and will fill in any blanks in its knowledge with fantasies that 'fit' with the consistency of cause and effect training.

All higher mental processes resolve down to these filtered scripts. It is always possible to estimate how to physically interact with a polarized (conscious) scene, since it is part of the very definition of conscious experience.

- Diagram showing how information differs from its carrier - matter.

Matter maintains consistent form and behavior according to the laws of nature. Its patterns of relative locations between individual atoms etc. are maintained by an unknown force. We simply take the 'laws of nature' as axiomatic. The mind is more flexible, and so these higher cause laws need to be decoded from the sensory and muscle pattern flows.

The muscles and senses resolve patterns of information to a polarized observer point in reality. The carrier medium (neurons, axons etc.) must be capable of maintaining the 2d pattern relationships in both 2d space and through time.

As layers, or waves of sensory/muscle patterns flow within the mind, time is encoded between those layers. And in that direction also, through the layers encoding time, higher level patterns can also be found.

Although the 2d patterns through time describe a 3d pattern cloud - due to the time component. That 3d cloud does not itself represent a 3d universe, it is still a lower derivative. Just as frames of a film scene do not represent a 3d model when stacked on top of one another. The frame slices representing time.

The purpose of the neuron circuits is to maintain the patterns through 2d space and the patterns through time, and to find the higher level causal connections. Find the 3d nature of reality - and more.

- Diagram showing how 2d patterns can align to a 3d translation matrix.

As the 2d patterns from muscles and senses flow through the mind, they interact together in a kind of dance of discovery. An analogy might be puffs of different colored smoke. Say green for touch sensory patterns, red for muscle flow patterns. When, say, an apple is handled. Between the cloud of green and red information 'smoke' there lies a 'shape' of balance. A narrow probability cloud of action surrounded by catastrophe. As the hand interacts with the apple, internally, it is negotiating the probability cloud of 'safe' space between the muscle and touch sensory flows. Vision later on, adds a 2d feedback map upon the polarizeed 3d matrix. To further increase precision.

- Showing how the 3d matrix can map between muscles and senses, and between language and meaning.

- Showing how the representations can search, align and scale 3d objects.

- Showing how all mental processes are referenced to 2d muscle script foundational patterns.